Oehlen’s practice has since traversed diverse movements and styles, combining narrative and abstraction, blending the handmade with the electronic and machinic in his computer or ‘bionic’ paintings and experimenting with form, tone and texture within set, premeditated parameters in his ‘grey’ and ‘tree’ paintings. See our Privacy Policy for more information about cookies. Focusing on the process of painting, Oehlen's work is marked by constraints he sets for himself, such as using only certain colors, integrating mirrors into his canvases, working collaboratively (notably with Jonathan Meese), and employing computers to generate designs. Albert Oehlen October 2, 2019–February 2, 2020 Serpentine Galleries, London www.serpentinegalleries.org. Central to the rehabilitation of painting in the 1980s and challenging the preconceived artistic canon, Albert Oehlen positioned himself as the enfant terrible of the 1980s German art scene. The art we are discussing here does not allow for these kinds of interpretative mechanisms.” _____INSERT_____ As recently as 2005, American curator Bonnie Clearwater wrote: “Albert Oehlen is a difficult artist to pin down. In Untitled, Albert Oehlen subverts the authority of the avant-garde, creating an abstraction of dumbed-down abjection. Availability: In Stock. Albert Oehlen (b. (122.3 x 118.3cm.) Signifying Oehlen’s mandate to rehabilitate and reinvigorate painting as a chief medium, the present work offers a rich economy of line, superimposed on a backdrop of graffiti-inspired gestures. “Qualities that I want to see brought together: delicacy and coarseness, color and vagueness, and, underlying them all, a base note of hysteria,” he said of painting. We find collaged fragments of garish poster ads on canvases that transforming screaming slogans into … They feel like the orchestrated chaos of Albert Oehlen, but with an affinity for biological form and the slightest reference to digital image-making. Gagosian Beverly Hills is pleased to present a major exhibition of new and recent paintings by Albert Oehlen. “Albert Oehlen: Home and Garden” includes a selection of the artist’s early self-portraits, his “post-non-objective” canvases, his computer paintings and switch paintings from the 1990s, and more recent works fusing appropriated advertising signage and abstract marks. b. The fate of art lies in the fate of painting. Albert Oehlen's subject matter From pixelated "computer paintings" to appropriated signage Albert Oehlen paintings explode off the canvas and seem to reveal what our brains might look like after a little time surfing the web. See more ideas about art, artist, painting. Jörg Immendorff, Martin Kippenberger, Willem de Kooning, Markus Oehlen, Sigmar Polke, Titanium Cat with Laboratory tested Animal, 1999, Gemäldereproduktion, beschnitten und..., 2015, Die Vitalität, der Charme und die natürliche , 1987. artnet and our partners use cookies to provide features on our sites and applications to improve your online experience, including for analysis of site usage, traffic measurement, and for advertising and content management. In his commencement speech … His most notorious works include his so-called Bad Paintings series which includes a 1986 portrait of Adolf Hitler, as well as his Computer Paintings which explored abstract imagery derived from an early-1990s laptop. Oehlen’s works are held in the collections of The Museum of Modern Art in New York, the Musée d’Art Moderne et Contemporain in Strasbourg, and the Cleveland Museum of Art. Titled “Albert Oehlen: Home and Garden,” the show will focus mainly on his abstract paintings. To reiterate this absence he will occasionally connect certain elements with a single hand-painted stroke. For Oehlen, the practice of painting, with its inherent unpredictability, is a subject in itself. About. Albert Oehlen was born in Krefeld, Germany, in 1954. ... the emergent lingua franca of computer graphics. Add to Cart. In this expansive monograph, we meet the full range of Oehlen’s artistic thoughts and approaches: paintings that integrate mirrors, paintings that are executed strictly in primary colors or only in gray, heavily pixelated paintings produced with the help of one of the first personal computers. The image has been wildly smeared and dashed with gestural marks that work their way in from every side of the canvas, obscuring and … Quin has a prowess for complicating images, enabling her to stir unusual reactions and offer insight on the painting process. His most notorious works include his so-called Bad Paintings series which includes a 1986 portrait of Adolf Hitler, as well as his Computer Paintings which explored abstract imagery derived from an early-1990s laptop. Albert Oehlen started producing the black and white Computer Paintings in the early 1990s. By continuing to use our sites and applications, you agree to our use of cookies. Dec 16, 2014 - “Nothing is codified — a mess is just a mess. Oehlen has shown work internationally in many exhibitions including I Will Always Champion Good Painting at Whitechapel Art Gallery in London (2006), Grounswell at the Museum of Modern Art in New York (2005), Provins – Legende at Museet for Samtidskunst in Roskilde, Denmark and Spiegelbilder 1982–1985 at Max Hetzler gallery in Berlin (2005). Quin’s paintings are impressively complex. He lives and works in Bühlen, Switzerland. His painting poses as a deceptive icon of aesthetic contemplation, punctuated with flirtatious eyes returning the viewer’s gaze. Multilingual Edition: English, French, German. Albert Oehlen, alongside artists like Martin Kippenberger, came to prominence as part of Hamburg's prodigious art and music scene in the 1980s.In the late ‘80s, he began to challenge the expectations of conventional abstract art in works he deemed "post-non-figurative." The present work, Untitled, is an outstanding example from Oehlen’s Computer Painting series, in which the artist first introduced digital technology into his disruptive painterly practice. Albert Oehlen. Having always produced art with a series of strict dictums in mind (for example, “paint slowly”), the computer was the perfect disciplinary vehicle through which Oehlen could progress onto the next phase of his artistic career. Albert Oehlen, First Take, 1994. Get the latest news on the events, trends, and people that shape the global art market with our daily newsletter. Albert Oehlen has been continually colliding various styles, orders or mediums since the 80’s, expanding the notion of painting to “what he wants to … Oehlen’s practice has since traversed diverse movements and styles, combining narrative and abstraction, blending the handmade with the electronic and machinic in his computer or ‘bionic’ paintings and experimenting with form, tone and texture within set, premeditated parameters in his ‘grey’ and ‘tree’ paintings. In Hamburg, he attended the Hochschule für Bildende Künste, where he studied Fine Arts from 1977 until 1981, and where Sigmar Polke was his professor. The guiding principle behind Albert Oehlen’s art is the use of artistic freedom to not be boring. Oehlen has always pushed the boundaries of painting to its limits, experimenting with different styles and materials from rudimentary finger painting and oil colors, to computer … The guiding principles of his method are impulse and eclecticism, while his tools are fingers, brushes, collage, and computer. The paintings of Albert Oehlen live by audacious strategies, by questioning the image and the rules of abstraction, and by an openness and beauty often reached through the unlikeliest of means.. 1961 in USA Famous Artist 16. Oehlen’s 2008 oil painting Hombre uses an ad for a wetsuit as a surrogate for the human form. Oehlen’s “Computer Paintings” explore abstract imagery through the use of a 90’s computer. Albert Oehlen is a master of ironic wit and his paintings are elaborate strategies of provocation. After acquiring his first laptop computer, the artist formulated his own digital motifs that he would continue to employ in variation until the completion of the series in 2008. Despite their limitations, the technical potential of computers created a series of rules and patterns with which the artist could improvise. “They tried to trace a line through all of my work,” says Oehlen, again laughing. It comes as no surprise then that his art has considerably changed over time, leaving no two series entirely alike. US$ 1,500. All rights reserved. Albert Oehlen In 1992, Oehlen began making computer-designed paintings, known for their pixilation and low resolution. “Qualities that I want to see brought together: delicacy and coarseness, color and vagueness, and, underlying them all, a base note of hysteria,” he said of painting. In the late ‘80s, he began to challenge the expectations of conventional abstract art in works he deemed "post-non-figurative." Limited-Edition Prints by Leading Artists, Variations: Conversations in and Around Abstract Painting, Other works from Variations: Conversations in and Around Abstract Painting, Variations: Conversations in and around Abstract Painting at LACMA, Untitled (Solid French Grey Butterfly 70% 672), 2007, Untitled (White Butterfly Red Big Nose Baby Moose), 2005, Untitled (Sun, Out of the Shell Standing Flat SF2.a), 2013, Untitled (Two Noses Out of the Shell Standing Flat SF1.a), 2013, Colour experiment no.15 (small inside spiral), 2010, My Boyfriend Came Back from the War, 1996, "Electronic Superhighway (2016 – 1966)" at Whitechapel Gallery, London, "Bernard Schultze: 100th birthday" at Museum Ludwig, Cologne, © 2014 Albert Oehlen, Photo © 2014 Museum Associates/LACMA. He studied with Sigmar Polke and was also influenced by Georg Baselitz, Gerhard Richter, and Willem de Kooning. He began the series Computer Paintings after the purchase of his first Texas Instrument laptop in 1990. Distinctive of Albert Oehlen’s coveted series, Computer Paintings, Abyss, 1997, is an exquisite example of the artist’s extensive experimentation into technological abstraction. One of the most respected painters today, Albert Oehlen (b. Oehlen's decision to embrace painting was itself an act of negation. This is a compelling reason to become a painter and one which Albert Oehlen, a German artist whose career began in the late seventies, adopted without fear. In his recent Finger Paintings, color-blocked advertisements are an extension of the canvas, providing fragmented, readymade surfaces for Oehlen’s visceral markings, made with his hands, as well as brushes, rags, and spray-cans. Basic digital drawing programs provide for a new method of abstraction. The exhibition at the Kunstmuseum Bonn presents 35 works by Albert Oehlen from every phase of his career, including the computer paintings of the early 1980s, the grey paintings of the 1990s, and the artistâ' current abstract-expressive works, as well as a group of his most recent works, which were created with the Bonn exhibition in mind. ... would lead to his Computer Paintings, a series that he ended in 2008. 1954) constantly questions the methods and means of painting to raise a sense of awareness of the medium, which he aims to reinvent and to reshape, always in opposition to traditional hierarchies. ©2021 Artnet Worldwide Corporation. From Los Angeles County Museum of Art, Albert Oehlen, Computer Painting (1998), Acrylic on canvas, 72 1/2 × 54 in In the so-called death of painting, Oehlen found instead its enlivenment, expanding his practice by setting rules … Oehlen reminisces about the Berlin art scene in the ’70s, explains why his works on paper are more complicated than his paintings, and offers advice for young artists. In Oehlen's recent work, flat, figurative cut-outs-all the products of computer-aided design (CAD), and gestural strokes of oil paint trade places in the service of collage. Albert Oehlen Computer Paintings explored abstract imagery derived from a laptop. Through the use of collage, expressive gesture, and computer-generated imagery, Oehlen examines the way that our identies are formed as mediated accretions of images. Edition of 1,000. I want an art where you see how it’s made, not what the artist intended, or what the work means, but what has been made, the traces of production.”. At the center of this exhibition is an installation that forms part of Albert Oehlen’s process of interpreting the Rothko Chapel in Houston. Hardcover in clamshell box, 13 x 17.3 in., 27.21 lb, 660 pages. 1954) Output 3 signed, titled and dated 'Output III A. Oehlen 03' (on the reverse) mixed media on two joined canvases 48 1/8 x 46 5/8in. The German artist Albert Oehlen is the foremost painter of the era that has seen painting decline as the chief medium of new art. Max Hetzler has been his long-time primary market dealer, and is currently showing Oehlen’s early Spiegelbilder, or Mirror Paintings (1982-90), … Albert Oehlen, alongside artists like Martin Kippenberger, came to prominence as part of Hamburg's prodigious art and music scene in the 1980s. Executed in 2003 From mirrors as canvases to computer paintings, this is the definitive monograph of Albert Oehlen ’s work to date. 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